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Exactly one month before Hay Festivall #Europa28 in Rijeka 2020 three of the most engaging writers in Europe: Edurne Portela (Spain), Janne Teller (Denmark) and Karolina Ramqvist (Sweden) will talk about their work and present #womarts Europa28 project and anthology at Hay Festival Segovia.
www.hayfestival.com
Edurne Portela, Janne Teller and Karolina Ramqvist in conversation with Giles TremlettAs we count down to the big event we are all waiting for Hay Festival #Europa28 in Rijeka 2020 we invite you to follow a new film series to introduce the project's themes, participants and goals which we will post every week. Festival is planned for 6-9 October 2020, with some live discussions in Zagreb and Rijeka, plus a larger series of broadcasts, discussions and activities online. Ful programme will launch on 15 September!
This month Hay Festivall invites Laura Bates writer, founder of the Everyday Sexism Project and #womarts ambassador, to talk about her new book Men Who Hate Women. You can join her talk and live Q&A through the Facebook event ⬇️⬇️
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When this happens, it's usually because the owner only shared it with a small group of people, changed who can see it or it's been deleted.How about something interesting to do on a lazy Sunday afternoon? Click to #womarts quiz to learn some facts about the position of women in the field of Art!
www.womarts.eu
Questions and answers of the quiz are based on the Wom@rts State of the Arts Report on the position of women artists in the cultural and creative industries sector in Europe.#womarts partner Vilniaus rotušė hosted film screenings in collaboration with Centre audiovisuel Simone de Beauvoir, which builds an archive available to women artists for their inspiration. Films presented at Vilnius Town Square were:
◾️“Dans un océan d'images”, D’Helen Doyle, (2013, Canada, 90 min.)
◾️“The Dancer / La danseuse”, Stéphanie Di Giusto, (2016, France, 108 min.)
◾️“Maria by Callas: In Her Own Words”, Tom Volf, (2017, France, 113 min.)
◾️“Proxima”, Alice Winocour, (2019, France, 106 min.)
◾️„Madre Habana”, Emmanuelle De Riedmatten, (2018, Switzerland,, 58 min.)
◾️ “Mademoiselle Paradis”, Barbara Albert, (2017, Austria, Germany, 97 min.)
Photo: Jan Suchodolski
⚠️ Ryšys / Connection brings together the work of Lithuanian and Irish artists and printmakers:Neringa Žukauskaitė (Lithuania) and Aoife Barrett (Ireland). The exhibition came about after the two artists met during the Wom@rts printmaking residency at the Limerick Printmakers, Ireland.
Žukauskaitė and Barrett went on to develop this joint exhibition, Ryšys /Connection, on the theme of connections both discovered and sought. Both artists developed the theme in their own way, but find many points of common ground and reciprocity.
On display fro 4 to 29 August at Vilniaus rotušė in Vilnius, Lithuania.
#womarts partner Vilniaus rotušė is hosting many interesting films by European female filmakers this summer. All the films are a part of Centre audiovisuel Simone de Beauvoir archive.
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When this happens, it's usually because the owner only shared it with a small group of people, changed who can see it or it's been deleted.#womarts roaming exhibition is currently in Rijeka, where you can momentarily see second part of exhibition with lens-based arts works. On display until 4 August! @apu_rijeka @rijeka2020 #womartsproject #roamingexhibition #lensbased #art #EUforCulture #CreativeEurope Photo: Ivan Vranjić
Some glimpses of exhibition installation prior to yesterday's opening in Rijeka, Croatia. Second part of exhibition Women (RI)visible will be on display until August in Tower Center Rijeka and presents artists from the field of lens-based art.
